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Deux invités qui mettent la parole avant les mots, la parole comme collection et l'oreille comme repère le plus fiable. A vérifier ce soir avec le compositeur Georges Aperghis et le metteur en scène et auteur Joris Lacoste.
A réécouter ici sur france culture
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Excerpt of rehearsal for the première in Munich with short interviews of G.Aperghis and T.Anzelotti
First, Aperghis wrote 2 concert cycles for solo voice - Six Tourbillons (1989) and Cinq Calmes plats (1992) - for the singer and actress Martine Viard. Then, he asked Olivier Cadiot a French writer to imagine in between the musical pieces some "prières d'insérer", prayers to insert. Cadiot says about his work : "I had to write fragments of texts said by a singer on stage, to write to make her talk. I did not write for the music but for a voice and that's very different. For the private life of a female singer." She talks. She sings. She talks and sings. She talks to imaginary persons. A sweet and comic chaos in her head that we invite you to discover. With Donatienne Michel-Dansac Lightings and video installation by Daniel Lévy |
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