|
The Contemporary Music Review (Volume 35) published an article written by Jean-Francois Trubert and Greg Beller describing the process of creation of that musical theatre piece for 4 performers, video and electronics. If you'd like to know more, go to www.tandfonline.com/doi/full/10.1080/07494467.2016.1258106 
0 Commentaires
The composer Georges Aperghis talks with the musicians Marco Blaauw, Helen Bledsoe, Florentin Ginot and Carl Rosman about developing new compositions and their current work at Campus Musikfabrik.
At this occasion, Carl Rosman will perform Damespiel (2011) for bass clarinet solo. Commissioned by Ensemble Musikfabrik, with the support of the Ministry for Families, Children, youth, Culture and Sports of the State of North Rhine-Westphalia  Music After Deleuze explores how Deleuzian concepts offer interesting ways of thinking about a wide range of musics. The concepts of difference, identity and repetition offer novel approaches to Western art music from Beethoven to Boulez and Bernhard Lang as well as jazz improvisation, popular and sacred music. The concepts of the 'rhizome', the 'assemblage' and the 'refrain' enable us to think of the specificity of musical works as the meeting of productive forces, for example in the contemporary opera of Dusapin and the experimental music theatre of Aperghis. The concepts of smooth and striated space form the starting point for musical and political reflections on pitch in Western and Eastern music. Deleuze's notion of time as multiple illumines the distinctive conceptions of musical time found in Debussy, Messiaen, Boulez, Carter and Grisey. Finally, the innovative semiotic theory forged in Deleuze-Guattarian philosophy offers valuable insights for a semiotics capable of engaging with the innovative, molecular music of Lachenmann, Aperghis and Levinas. -
 .Revue quadrimestrielle. Coordonné par Pascale CRITON.
"Ce numéro poursuit la prospective des pratiques transversales de Félix Guattari articulées autour de l’écosophie et du paradigme esthétique. Après le théâtre, le cinéma, la poésie, la polyphonie des modes de subjectivation sera abordée sous le signe de la pluralité de nos espaces-temps (l’intensif, le corps et les affects) qu’ils relèvent de la musique ou de nos façons d’être-ensemble et de nos vies, espaces-temps aujourd’hui modifiés par la transitivité virtuelle qui les constitue" [...] LIRE PLUS |